Most pro musicians will tell you
music is what they always wanted to do and they were playing gigs at age 10.
Not me. My first guitar lesson with my first guitar was at William Jewel College.
Just months later, in the early 70's, I was in Dinkledorf's Deli in The River Quay
(The River Market).
A woman asked me if I was a musician and I replied that I played guitar. She asked if I
wanted to play there for the weekend. I haven't been out of work since. My solo folk singing days were great fun. As I learned more about the guitar,
I added comedy to the mix. I did some Vegas Showcases and got a nice contract with Steak
and Ale in KC and The Magic Pan on The Plaza. By the way, I hired Melissa Ethridge to fill
in for me there. She was about $75 a night at the time.
Being a solo act is pretty limiting musically. I started
playing a duo with John Ricker. He was a wonderful classical guitar player who played in
dance bands on the side. We began to make enough money to hire a rhythm section.
Eventually, we became Valentine and The Very Wealthy.
My crazy rock-n-roll days were huge fun. We put out a record
called, "Life Is A Beach" and it got noticed! We were in Billboard Magazine and
they were playing the tune in dance clubs on the east coast. We played Spring Break on
South Padre Island. We had a nice little college circuit going and people
were lining up
in Kansas City. Looking back, I have been in concert with Billy Ray
Cyrus, Eddie
Money, The Little River Band, The Fabulous Thunderbirds, Nick Lowe, The Byrds,
Jackyl, Nigel Dupree, Jim Dandy and Black Oak Arkansas, James Otto, Dr. Hook
and The Medicine Show, Mitch Ryder, Molly Hatchet, Chris Cagle, Bo Diddly, The Impressions, Betty
Wright, Bobby Lewis, Bill Haley's Comets, John Lee Hooker Jr, Billy Paul, Joanna Connors,
Chubby Carrier and some I'll remember later. It is fun being a lead singer in a popular
rock-n-roll band, but I was also the soundman, roadie and manager. I really liked that
part.
In the 80s, I took a position at The Uptown Theater.
I learned more about the biz. I produced at least 4 concerts a month while managing my
band and a few others. I produced more records and hundreds of radio and TV ads.
I was the voice and marketing for Ray Farhner's custom car shows as
well as a few other commercial entities. I
learned the importance of "Butts in seats"
I bought a bar in Lee's Summit and named it Valentine's
Rock-n-Roll Sports Bar. After 2 years of that, I discovered I wasn't a very good bar
owner. But the music kept me alive. John Ricker (Fast Johnny) started his own band with
some success. I moved on with new players and constant reinventions. There has been
Valentine and Blind Driver, Dezi Valentine and Fatal Valentine. Currently, Valentine and
The Ticklers is my all request acoustic trio, Valentines Old School Knights is my
Motown band, The Woodstock Flashback Band is a 9 piece hippie band. The Brew is the 4 piece unplugged jam band that has been playing
Sundays at 75th Street Brewery since 1994.
Concert production and marketing has
been a real focus. I rented the Liberty Theater in 1972 and produced
my first rock show. In 2005, I produced The Kansas City Music Blues and Jazz
Festival at The Woodlands Horse Track. I sold the first TicketMaster Ticket at The
Woodlands. 2009 hit a first by producing 2 festivals in one weekend. The
Ragin' Cajun Fest at the Legends in Village West and The End Of The
Trail Rally in Platte City. It has been a joy to do the music for The Lyric Opera Benefactors Ball and The MU Tiger Ball as well as
the entire month of July for Celebrate America at Worlds of Fun.
(Fireworks after every show is a good thing) 2010
is on track to be the best. Worth Harley-Davidson hired me to produce
their events. Worthstock had 6 national acts and over 30,000 people in
2 days.
Looking back is fun. I have easily played
7,000 shows in
hundreds of venues with hundreds of players. Ive been in concert. I have produced
concerts. I have produced and charted records for my self and others. I have owned venues.
Looking ahead is even more fun. I still play 200 shows a
year as well as book 2000 shows a year for Kansas City venues. I am in the studio every
week with my own original projects as well as some interesting clients.
I have learned two things for certain:
1. Music is best when it is a conversation among players.
2. I'm not so cool, but I have a lot of cool friends.
Live
Recordings